Wednesday, March 4, 2015

Frank Turner

Celtic/Folk/Punk/Rock
            I’ve loved Celtic/folk/punk music since the first time I heard The Fields of Athenry, an old Irish folk song covered by The Dropkick Murphy’s. After listening to the Murphy’s extensively in my teen years and pretty well memorizing their albums I decided to explore more bands and acts. This led me to some of the greats like Flogging Molly, The Mahones and others. I needed more. It wasn’t until years later that I finally found my much needed addition to this wonderful genre of music.
            I had heard Frank Turner off  and on for about half a year on compilation albums and on those random “related videos” that pop up on YouTube. Then a got a call from a couple buddies that they were going to the Frank Turner show at the Burton Cumming’s theatre and wanted to know if I wanted a ticket. I asked when it was. It was in two hours.
            Scrambling on my phone I bought a ticket online and raced to the theatre not really knowing what I was getting into. I knew very little about Frank and his music. What I’d heard I’d liked but I had never actually given it a second glance. Well that was the best short notice decision I ever made.
            The fact that I’m writing this should pretty well tell you the rest of the story of how the night went. I was absolutely awestruck. Not just by the music and the energy, but by the atmosphere Frank creates at his shows and the fan base he has earned through his listeners trusting him. Trusting him to make good music. Trusting him to always deliver. And trusting him to never stop pushing the musical envelope.
            I can honestly say that that was one of the most exciting concerts I have ever been to. I stood beside without a word of a lie, a five year old girl sitting on her dad’s shoulders singing along to every song Frank played and on the other side a sixty year old man with massive sideburns and a studded leather jacket also singing along.
            To me, the mark of a great artist isn’t necessarily the art they create but rather the people that appreciate it. And with over a fifty year gap between just two of the fans I saw that night is any indication, I’d say Frank is doing pretty well. To be appreciated by three generations is a Rolling Stones level of appreciation.
            The first couple songs that really grabbed my attention were his “hits”. I know that’s not exactly a popular position when discussing musicians, but what can I say, they’re his most accessible tracks so that’s where YouTube sent me.
            Photosynthesis and Long Live the Queen were my first glances at Frank’s portfolio and though they are certainly radio friendly, mainstream tunes I believe they were hits for the wrong reasons. I believe they were hits because of their catchy, upbeat sound Not for the content of the tracks. After all, Long Live the Queen is a story about a friend dying. But whether or not they are hits or radio friendly or mainstream does not take away from the fact that they really are great songs for an array of reasons and their catchy attributes and deep stories are just two of several reasons.
            As I delved deeper into Frank’s catalogue I noticed that this otherwise catchy, upbeat band had some songs that were quite dark and featured drastic realizations a young man was making in reference to growing up, the progression of the world he lived in and his observation that most of the world is looking at itself through rose coloured glasses. My first notice of this darker side Frank seemed to have to himself was on the track Love,Ire & Song where frank talks about what he saw as a bitter teacher he had while growing up who essentially told Frank that when you grow up you may as well give up. Life is just a big disappointment. Might as well not try. Frank saw this as a betrayal from an individual who was supposed to be guiding him and wrote him off as a “wash-up” and that kind of attitude was a “fucking cop-out”. Frank made the vow that so many young people do, “When I get to your age I won’t…” In this case Frank vowed not to be a coward. However, as the song progresses Frank obviously finds out that his adolescent vow quickly seemed to not only disappear from his teacher’s life but by most people that he saw daily. His idealist approach he had as an adolescent clearly didn’t translate into the real world of grownups.
            “All the things that I believed with all my heart when I was young/Are just coasters for beers and clean surfaces for drugs.” Frank finishes up this realization, that being that he is clearly the outsider for still having ideals and passions, that being part of a dying breed, you might as well go out with a bang. Instead of just fading away, “If we’re stuck on this ship and it’s sinking/Then we might as well have a parade.”
            Earlier I mentioned that Long Live the Queen is his most popular (or one of the most popular at least) tracks due to how catchy it is, which is true, but I may have overstepped my bounds saying it’s popular for the wrong reasons. Whatever the case, I am very happy the song got as popular as it did because it still sits near the top of my Frank Turner list. Frank is one of the best in the business I’ve seen to turn pain, real guttural pain, real excruciating pain and turning it into art, unconventional art and making it that people will actually want to consume it. A painful, personal tale of his last moments with a friend and then her death is just such a terrible but beautiful story. Just because there is pain and sorrow throughout life and unfathomable evil, there’s still a light at the end of the tunnel.
            Frank Turner has a great blend of Celtic drawl (even though he’s English…) and peppy folk that really gets to the heart of what music, real honest music ought to be. Yes, music is a serious business about getting serious messages across, but that doesn’t mean you can’t have fun with it at the same time. Frank is a true talent that doesn’t play for the money… well maybe enough money so he can continue getting tattoos… but Frank is there for the message. He’s there for the fans. And he’s above all there for the music because he has something he wants to say and he would die before giving up his platform to say it.

Songs to listen to:

Photosynthesis, Long Live the Queen, Faithful Son, Live Fast Die Old, The Ballad of Me and My Friends, Once We Were Anarchists

- Justin

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